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Nikkor 14-24mm f/2.8G ED AF-S
全影像大小可產生APS-C大小影像的鏡頭只屬數碼屬性，它們不可使用於比APS-C 格式更大的影像接收器，也不適用於菲林相機。 超聲波自動對焦一般來說，超聲波對焦鏡頭比傳統對焦鏡頭靜和快。 使用了一個或更多的低散光度鏡頭元素低散光度鏡頭元素能減低彩色的色差。 不穩定影像穩定器能減低手震時產生的模糊影像，特別在長焦距或陰暗情況下。根據倒數的定律，影像穩定化比無影像穩定鏡頭能有1到3個光圈優點。 金屬接腳平價鏡頭通常會使用塑膠接腳，而較昂貴的專業的鏡頭會使用金屬接腳。一般來說，金屬接腳會比較耐用的及當鏡頭改變很多。當相機主要使用一個鏡頭，接腳物料並不是很重要。 內置對焦內置對焦鏡頭不會因設定焦點而改變其大小。 內置變焦內置變焦鏡頭不會因改變焦距而改變其大小。 固定前鏡頭固定前鏡頭在變焦及/或對焦時不會轉動，故可容許攝影師用花瓣狀遮光罩，固定前鏡頭能更容易利用極化濾鏡。 無天氣密封天氣密封鏡頭可防止塵埃及水份浸入。當鏡頭不是防水的，此類鏡頭可適用於下雨及朝湿環境。有些密封只可防水或防塵。天氣密封只適用於類似天氣密封相機內。 無插入濾鏡支援插入濾鏡使用於那些前鏡頭過大或視野不容許於鏡頭前傳統濾鏡的鏡頭。通常遠攝及超廣角鏡頭支援這類濾鏡。 |
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Nikkor 14-24mm f/2.8G ED AF-S 技術規格
| 可用的接環 | Nikon F |
| 應用 | 風景, 室內, 建築物 |
| 類目 | 廣角變焦 |
| 倍增器 | 1× |
| 穩定器 | 否 |
| 焦距 | 14 - 24 mm (1.7× 變焦) |
| 鏡片組 | 11 群組含有11 元素 |
| 視角 |
35毫米: 114-84° 數碼: 90-61° |
| 葉片數目 | 9 |
| 最大光圈 | 廣角: f/2.8 遠攝: f/2.8 |
| 最小光圈 | 廣角: f/22 遠攝: f/22 |
| 最短焦距 | 28 cm |
| 放大 | 不適用 |
| 濾鏡大小 | 不適用 |
| 大小 | ∅ 98 x 131,5 mm |
| 重量 | 1000 g |
| 記錄 |
|
| 自動對焦速度 | 不適用 |
| 自動對焦聲音 | |
| 內置對焦 | 是 |
| 內置變焦 | 是 |
| 固定前鏡頭 | 是 |
| 接駁類型 | 鐵 |
| 天氣密封 | 否 |
| 插入濾鏡 | 否 |
| 超聲波自動對焦 | 是 |
| APS-C大小的圈 | 否 |
| 低散光度鏡頭元素 | 是 |
| 硬機殼 | 不包括 |
| 軟機殼 | CL-M3 (包含) |
| 遮光罩 | 包含 |
| 三腳架接合器 | 不包括 |
Nikkor 14-24mm f/2.8G ED AF-S 評語
Other reviews
- Nikkor 14-24mm f/2.8G ED AF-S 評語 在www.ephotozine.com (英文)
- Nikkor 14-24mm f/2.8G ED AF-S 評語 在www.fotopolis.pl (波兰文)
Nikkor 14-24mm f/2.8G ED AF-S 用者評語
亞瑪遜內最有用的用家評語
the new standard
28 December 2007
Nikon's new 14-24 lens is just phenomenal. The clarity is that of a prime lens. In fact, this super-wide angle zoom lens effectively replaces the equivalent prime lenses within most of its focal length (except perhaps the 24mm range); it's like owning a bag full of prime lenses that have been combined to make one superlative zoom lens.
Yes, it's that good. If you check around the web, you will see the pros falling over themselves for this lens after they test it. It's built like a tank and is precise as a Swiss watch.
Highly recommended.
Amazing ultra-wide
14 January 2008
If you want an amazing ultra wide angle lens for both FF and DX, this should be your choice hands-down. My old Sigma 12-24mm is a laugher by comparison. Talk about clarity and detail! Nothing out there comes close! Better than my old AF 20mm 2.8. The only down side is the inability to use filters, and the fixed hood is just a bit too wide for my Lee LF filter holder. But, in these Photoshop days, most filter effects can be post-processed as long as the image isn't overexposed. If it wasn't for this inconvenience, this would be a 5-star lens all the way.
Shocked!
5 March 2008
It is quite shocking to hold this 2.8 ultrawide lens. This lens is a standard-setter. It is SO SHARP wide open that you will be amazed. I read one review that said that it eliminates a bag of primes.
Yes, it is large. Yes, it is heavy. Yes, the front element is exposed and potentially vulnerable (use the lens cap!). Yes, it is not as wide as the DX lenses on DX bodies: Sigma 10-20, Tokina/Nikon 12-24. Yes, it is expensive. Yes, it is not as wide as some on DX cameras...
BUT this is a keeper and - somehow - when you mount the lens, and hold it, all those problems disappear. Will I take it hiking in Shenandoah? Nah, I put the Sigma 10-20 on for wide mucky stuff...
If you own a DX camera currently (all but D3 owners), you can invest in your FX future. BUT, it works phenomenally well on DX sensors like my D300... Helps me take great images...
A great piece of kit, as my British friends would say...
The only great wide lens in existence
25 February 2008
I got it about month and a half ago. I used Tokina 12-24 before and was not very happy with the edge performance. 14-24 is the only wide lens that lets me get the resolution that I expect from medium range and telephoto zoom lenses. Color and contrast are amazing. Much more even than my 17-55 Nikon. Very good built and handling. Over all, very happy!
That being said you should also remember:
It is not as wide as 10-12 APS-C ones.
Cannot use it with filter; both for safety and visual effect.
Flare appears more often than with 12-24.
An excellent product for the professional
28 April 2008
I am impressed with the lack of distortion and flare in such a fast and complex lens. Color correction and fidelity are exceptional and the build quality seems fine. Sharpness is not quite what I expected, but far better than with many other new lenses I have tried recently. My only criticism would be for the design of the plastic lens cap that is only held on by friction. It falls off easily and this will probably get worse with time - a poor solution for a high price lens.
Nikkor 14-24mm f/2.8G ED AF-S 圖例
Nikon D300 + Nikkor 14-24mm f/2.8G ED AF-S
Nikon D3 + Nikkor 14-24mm f/2.8G ED AF-S
Nikkor 14-24mm f/2.8G ED AF-S 配件
遮光罩Nikkor 14-24mm f/2.8G ED AF-S
- Nikon HB-34 Lens Hood for 55-200mm DX Nikkor Lens 5.99 USD
- Nikon CL-0915 Soft Lens Case for 18-70mm DX Nikkor Lens 8.95 USD
- Nikon CL-0815 Soft Lens Case for 55-200mm DX Nikkor Lens 8.99 USD
- Nikon HB-32 Flower Type Lens Shade for 18-70mm DX Nikkor Lens 9.58 USD
- Nikon CL-0715 Soft Lens Case for 18-55mm DX Nikkor Lens 10.95 USD
- Nikon LC-67 Snap on Lens Cap for 18-70mm DX Nikkor Lens 11.49 USD
- Nikon CL-1020 Replacement Soft Lens Case for the 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor Lens 12.95 USD
- Nikon HB-36 Replacement Lens Hood for the 70-300mm f/4-5.6G VR Zoom Nikkor. 14.59 USD
- Nikon HB-37 Replacement Lens Hood for 55-200mm f/4-5.6G VR Zoom Nikkor 14.75 USD
- Nikon HB-38 Replacement Lens Hood for the 105/2.8mm f/2.8G ED-IF AF-S VR Micro-Nikkor Lens 14.95 USD