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Nikkor 14-24mm f/2.8G ED AF-S

see the whole gallery in large	Full frame sized image Lenses that create APS-C sized image are designed for digital only. They cannot be used on cameras that have image sensor larger than the APS-C format. These lenses are not suitable for film cameras either. Ultrasonic AF Lenses with ultrasonic focusing mechanism tend to be quiter and faster than traditionally focusing lenses. One or more Low Dispersion lens element is used Low Dispersion lens elements help to reduce chromatic aberration. Not stabilized Image stabilization helps to reduce blur caused by hand shake, especially at high focal length or in low light situations. Image stabilization can give 1 to 3 stop advantage over none stabilized lens, based on the reciprocal rule. Metal mount Cheaper lenses are usually equipped with plastic mount, while more expensive, professional lenses have metal mount. In general, metal mounts are more durable, and a good thing to have when lenses are changed a lot. When a camera is used mainly with one lens, the material of the lens mount is not that important. Internal Focusing Internally focusing lenses don't change their size while setting focus. Internal Zoom Internally zooming lenses don't change their size while focal length is changing. The front lens is fixed The fixed front lens is not rotating during zoom and/or focusing. This allows the photographer to use petal shaped lens hood. Fixed front lenses also make the use of polarization filters a lot easier. Not Sealed Weather sealed lenses are protected from dust and water. While they are not water proof, these lenses can be used in rain and other humid environments. Some sealings only provide protection against dust or water, not both. Sealing is only available when the lens is used on a similarly weather sealed camera body. No drop-in filter support Drop-in filters are used in those lenses where either the front lens is too large, or the field of view doesn't permit the use of traditional filters at the front of the lens. Usually bright tele and ultra-wide angle lenses support this filter type.
The AF-S NIKKOR 14-24mm f/2.8G ED lens is highly versatile and can be ideal for a range of different photographic applications. Photojournalists can tell the entire story with a single shot, interior photography can be done without fisheye distortion, or a breathtaking landscape can be captured in one frame.

see the whole gallery in large

The AF-S NIKKOR 14-24mm f/2.8G ED lens is highly versatile and can be ideal for a range of different photographic applications. Photojournalists can tell the entire story with a single shot, interior photography can be done without fisheye distortion, or a breathtaking landscape can be captured in one frame.

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Nikkor 14-24mm f/2.8G ED AF-S Specification

Nikkor 14-24mm f/2.8G ED AF-S Specification
Available mount(s)	Nikon F
Application(s)	Landscape, Interiors, Architecture
Category(s)	Wide angle zoom
Multiplier	1×
Stabilizer	no
Focal length	14 - 24 mm (1.7× zoom)
Lens construction	11 elements in 11 groups
Angle of view	35mm: 114-84° digital: 90-61°
Number of blades	9
Maximum aperture	wide: f/2.8 tele: f/2.8
Minimum aperture	wide: f/22 tele: f/22
Minimum focusing distance	28 cm
Magnification	N/A
Filter size	N/A
Size	∅ 98 x 131,5 mm
Weight	1000 g
Notes	3 ED, 3 aspherical and 1 Nano Crystal Coat-deposited lens elements, built-in lens hood
AF speed	N/A
AF sound
Internal focusing	yes
Internal zoom	yes
Fix front lens	yes
Mount type	metal
Weather sealed	no
Drop in filter	no
Ultrasonic AF	yes
APS-C sized circle	no
Low dispersion lens element	yes
Hard case	not included
Soft case	CL-M3 (included)
Lens hood	included
Tripod adapter	not included

Nikkor 14-24mm f/2.8G ED AF-S Reviews

Nikkor 14-24mm f/2.8G ED AF-S in the news

Other reviews

Nikkor 14-24mm f/2.8G ED AF-S review at www.ephotozine.com (English)
Nikkor 14-24mm f/2.8G ED AF-S review at www.fotopolis.pl (Polish)
Nikkor 14-24mm f/2.8G ED AF-S review at www.pixelmania.nl (Dutch)

Nikkor 14-24mm f/2.8G ED AF-S Owner Reviews

Most useful owner reviews from Amazon

the new standard

Dec 28, 2007

Nikon's new 14-24 lens is just phenomenal. The clarity is that of a prime lens. In fact, this super-wide angle zoom lens effectively replaces the equivalent prime lenses within most of its focal length (except perhaps the 24mm range); it's like owning a bag full of prime lenses that have been combined to make one superlative zoom lens.

Yes, it's that good. If you check around the web, you will see the pros falling over themselves for this lens after they test it. It's built like a tank and is precise as a Swiss watch.
Highly recommended.

The only great wide lens in existence

Feb 25, 2008

I got it about month and a half ago. I used Tokina 12-24 before and was not very happy with the edge performance. 14-24 is the only wide lens that lets me get the resolution that I expect from medium range and telephoto zoom lenses. Color and contrast are amazing. Much more even than my 17-55 Nikon. Very good built and handling. Over all, very happy!

That being said you should also remember:
It is not as wide as 10-12 APS-C ones.
Cannot use it with filter; both for safety and visual effect.
Flare appears more often than with 12-24.

Heavy, yes; expensive, yes; worth it, yes!

Jun 14, 2008

I have been fortunate to use Leica SLR cameras and lenses for many years. Thus, my yardstick for any other lens is very high. I also own and shoot a Nikon D-200 and D-300. In particular, lens resolution, light fall off at the edges, and color saturation are very important to me. This lens is superlative in all these important respects. It is heavy, bulbous and expensive. However, I believe that the pro-sumer market is moving towards full 35mm size sensors so this lens is an investment in the future although it works extremely well on DX sensor bodies > D-40. One negative, it cannot accomodate filters, in particular, the all important circular polarizer. In my opinion, software can do remarkable things for color etc. but glare is best removed with a polarizer. If you can live with this deficiency, as I must, the lens is highly recommended.

Phenomenal WA Lens for Nikon DSLR

Jul 20, 2008

Gorgeous super sharp WA lens. Sharp corner to corner, at wide open aperture, at entire zoom range. The color is just pop. It is better than my AFS 17-35 (sharp only in the center, at wide open, need to stop down for sharper entire frame).

At 1st, I kind of reluctant to try it since I have 17-35 already. But after I tried it, holly smokes, I MUST to have it. It is has kind of quality that I cannot get from 17-35. The color and bokeh is just way more pleasing to my eyes. It makes D300 shows its capability in WA department.

NO filter ring is the only my draw back. I guess I have to make my own custom Lee filter holder myself. The IQ of this lens is very hard to resist. It is worth the price.

Flare is a problem, but it can be controlled easily with your technique. Most WA lenses have flare problem. I think this lens has the least.

I am not a WA guy, but after owning this lens I start to take panoramic photos.
For weddings, this lens is an absolutely must use lens.

If you need real High Quality WA lens, this IS THE LENS.

BTW, that bulbous almost protruding lens shape looks sexy, attracts quite a lot of interest at several parties. It is not fish eye lens, as many thought.

Amazing ultra-wide

Jan 14, 2008

If you want an amazing ultra wide angle lens for both FF and DX, this should be your choice hands-down. My old Sigma 12-24mm is a laugher by comparison. Talk about clarity and detail! Nothing out there comes close! Better than my old AF 20mm 2.8. The only down side is the inability to use filters, and the fixed hood is just a bit too wide for my Lee LF filter holder. But, in these Photoshop days, most filter effects can be post-processed as long as the image isn't overexposed. If it wasn't for this inconvenience, this would be a 5-star lens all the way.