Nikkor 18-55mm f3.5-5.6G AF-S DX VR Specifikáció

Nikkor 18-55mm f3.5-5.6G AF-S DX VR Specifikáció

Elérhető bajonett(ek)	Nikon F
Felhasználási terület(ek)	Portré, Közeli, Tájkép, Épület
Kategóriák	Standard zoom
Szorzó	1.5×
Stabilizátor	igen (3 blende előny)
Gyújtótávolság	18 - 55 mm (3,1× zoom)
Objektív felépítése	7 lencsetag 5 csoportban
Látószög	35mm: nincs adat digitális: 76-28.17°
Lamellák száma	7
Legnagyobb blende	nagy látószög: f/3,5 tele: f/5,6
Legkisebb blende	nagy látószög: f/22 tele: f/38
Legkisebb tárgytávolság	28 cm
Nagyítás	0,31×
Szűrőmenet	52 mm
Méret	∅ 73 × 79.5 mm
Tömeg	265 g
Megjegyzések
AF sebesség	0,7 mp. (közeliből végtelenbe)
AF hang
Belső élességállítás	nem
Belső zoom	nem
Fix frontlencse	nem
Bajonett típusa	műanyag
Időjárásálló	nem
Becsúsztatható szűrők	nem
Ultrahangos AF	igen
APS-C méretű vetített kép	igen
Alacsony szórású lencsetag	nem
Kemény tok	nincs adat
Puha tok	CL-0715
Napellenző	HB-33 nyomtatható napellenző
Állvány adapter	nincs adat

Nikkor 18-55mm f3.5-5.6G AF-S DX VR Tesztek

Nikkor 18-55mm f3.5-5.6G AF-S DX VR a hírekben

• Tamron SP AF60mm f/2.0 Di-II MACRO
• Nikkor AF-S DX Micro 85mm F3,5G ED VR
• Sigma 17-70mm f/2,8-4 DC OS HSM MACRO
• Nagy fényerejű Carl Zeiss 35mm/F2 Canonra
• Sony SAL2875 28-75mm F2.8 SAM
• Carl Zeiss Distagon T* 28mm f/2
• Négy új ZuikoDigital objektív: 12-60mm, 50-200mm, 14-35mm, 70-300mm
• Négy új ZuikoDigital objektív: 12-60mm, 50-200mm, 14-35mm, 70-300mm
• Négy új ZuikoDigital objektív: 12-60mm, 50-200mm, 14-35mm, 70-300mm
• Négy új ZuikoDigital objektív: 12-60mm, 50-200mm, 14-35mm, 70-300mm
• Pentax DA 18-250mm/F3,5-6,3 ED AL [IF]
• Canon EF 200mm/F2,0 L IS és 800mm/F5,6 L IS
• Canon EF 200mm/F2,0 L IS és 800mm/F5,6 L IS
• Stabilizátoros Leica ultrazoom
• Leica D VARIO-ELMAR 14-50mm/F3.8-5.6 MEGA O.I.S.
• Tokina AT-X 35mm f/2,8 Macro DX késés
• Sigma 18-200mm/F3,5-5,6 DC Nikonokhoz
• Tamron 70-300 mm/F4-5,6 Di LD Macro fókuszmotorral
• Nikkor fényerős fix teleobjektívek AF-S 400mm/F2.8 VR, 500mm/F4 VR, 600mm/F4 VR
• Nikkor fényerős fix teleobjektívek AF-S 400mm/F2.8 VR, 500mm/F4 VR, 600mm/F4 VR
• Nikkor fényerős fix teleobjektívek AF-S 400mm/F2.8 VR, 500mm/F4 VR, 600mm/F4 VR
• 3 új Canon objektív: 14mm/F2.8 L II, 18-55mm IS, 55-250mm IS
• 3 új Canon objektív: 14mm/F2.8 L II, 18-55mm IS, 55-250mm IS
• 3 új Canon objektív: 14mm/F2.8 L II, 18-55mm IS, 55-250mm IS
• Minőségi Nikkor AF-S 14-24mm és 24-70mm nagy fényerővel
• Minőségi Nikkor AF-S 14-24mm és 24-70mm nagy fényerővel
• Carl Zeiss Distagon T* 28mm f/2 EF bajonettel
• Tamron SP AF17-50mm f/2.8 XR Di II VC LD Aspherical
• Carl Zeiss Distagon T* 21mm F2,8 ZE Canonra
• Carl Zeiss Distagon T* 18mm f/3,5 Canonra
• Stabilizált Sigma 70-300mm f/4-5,6 DG OS
• Két új M. Zuiko Digital objektív
• Két új M. Zuiko Digital objektív
• Tokina 11-16mm/f2,8 DX Sony gépekhez
• Hamarosan itt az új Sigma 17-70mm
• Canon EF 70-200mm F2,8L IS II USM
• smc Pentax D FA 100mm F2.8 WR Macro
• Nikkor AF-S 300mm F2,8G ED VR II és TC-20E III.
• Carl Zeiss optikák Canon csatlakozással
• Carl Zeiss Planar T* 85mm/1,4 ZF.2 és 50mm/1,4 ZF.2
• Carl Zeiss objektívek CPU-val
• Carl Zeiss objektívek CPU-val
• Carl Zeiss objektívek CPU-val
• Carl Zeiss objektívek CPU-val
• Carl Zeiss objektívek CPU-val
• Sigma 70-300mm F4,0-5,6 DG OS Sony és Pentax csatlakozással
• Tamron 17-50mm/F2,8 Di-II VC LD Canonhoz is
• Nikkor AF-S 16-35mm f/4 G ED VR
• Nikkor AF-S 24mm f/1.4G ED
• Pentax és Sony változatban a Sigma 17-70mm
• Voigtländer APO-LANTHAR 90mm F3,5 SL-II
• Új FLD lencsetag a Sigma objektíveiben
• Új FLD lencsetag a Sigma objektíveiben
• Új FLD lencsetag a Sigma objektíveiben
• Sony bajonettre is csatlakozik a Tokina 11-16mm
• Sigma APO 50-500mm f4.5-6.3 DG OS HSM
• Sigma 85mm f/1.4 EX DG HSM
• Sigma 17-50mm F2.8 EX DC OS HSM
• Sigma 8-16mm f4.5-5.6 DC HSM
• Carl Zeiss Planar T* 85mm/1,4 ZF.2 és 50mm/1,4 ZF.2
• Sigma APO 70-200mm F2.8 EX DG OS HSM
• Hamarosan boltokban az új Canon 70-200mm F2,8L IS
• LUMIX G Vario 14-42mm F3,5-5,6 ASPH. MEGA O.I.S.
• Nikkor AF-S 200-400mm F4 G ED VR II
• Lumix G FISHEYE 8mm F3,5

Other reviews

• Nikkor 18-55mm f3.5-5.6G AF-S DX VR teszt a www.dpreview.com oldalon (angol)
• Nikkor 18-55mm f3.5-5.6G AF-S DX VR teszt a dc.watch.impress.co.jp oldalon (japán)
• Nikkor 18-55mm f3.5-5.6G AF-S DX VR teszt a www.cameralabs.com oldalon (angol)
• Nikkor 18-55mm f3.5-5.6G AF-S DX VR teszt a www.fotopolis.pl oldalon (lengyel)

Nikkor 18-55mm f3.5-5.6G AF-S DX VR Olvasói tesztek

Leghasznosabb olvasói vélemények az Amazonról

Excellent incremental improvement over an already-excellent lens

2008. február 27.

I have the original 18-55mm AF-S DX which came with my D40 kit and love it - it weighs nothing, performs brilliantly, and focuses so close that I can use it as a macro if I want. I decided to get this since I do quite a bit of indoor photography without flash, and wanted some extra stability in low-light, longer-shutter speed situations from the Vibration Reduction which I have on my 18-200mm VR but don't use on my D40 (I use that on my D300, and it almost never comes off). It's performed brilliantly under such circumstances; I can get sharp shots at 1/20, 1/10 and even 1/8 if I'm really stable at the time of the shot - something I couldn't reliably get from the non-VR version. It also helps in the long end (55mm) in uneven light and other times when the VR becomes necessary. In terms of sharpness, light falloff, distortion, and all the other metrics, this lens is as good as, or slightly better, than the original non-VR version. It is also a bit heavier and seems a bit more solid in construction, with a tighter zoom ring and differently-sculpted manual focus ring (with more recessed plastic indentations compared with the original model). I think the addition of VR makes it the perfect lens for the D40, D40x or newly-introduced D60, since its performance is so much better in all metrics and tests (particularly distortion and sharpness) than some of its would-be step-up replacements (i.e. the 18-135, the 24-120, etc.)

If you generally do lots of flash or outdoor photography, and don't tend to experience slower shutter speeds due to lighting issues, or take most of your shots at the wider end of the scale (i.e. 18-25mm) this lens is probably an upgrade that you can either do with or without. In the end the investment is quite small for those few times that VR might save the shot, so I would get one. Granted, VR at this level (i.e not 200 or 300mm) is less about hand shake in daylight, but more about low lighting conditions and longer shutter speeds. As for some reviewer's comments on the default lens speed, etc. - this is a $200 prosumer lens, not a $1,500 17-55mm pro wide-zoom with f/2.8 costing 8 times what this lens costs; for the money, you can't get anything better for a Nikon with this kind of performance.

Additional notes: There is some clunking sound from the VR occasionally when focusing, and there is no hood or lens pouch included, but that's less of an issue if, as most people do, you have a camera or lens bag, and as for the hood, I've never used one and never had a problem; if there's sunglare, I can cup my hand around the lens (since it's so light) and have no issues. I think some people use lens hoods to somehow show off that they're "photographers" or "hobbyist-pros" rather than for the reduction of flare and glare when outside in bright sunlight (sometimes direct, etc.) or under sharp lighting. Honestly, I've seen guys taking indoor shots of artwork exhibits under soft lighting with the hood on.

Upgrade over the kit lens except for one important thing...

2008. március 12.

I agree with other posters that this lens is an upgrade over the non-VR version. It is quite sharp, and the VR is effective, especially at the longer focal lengths. However, I tend to take pictures in very demanding eenvironments with low light and very high contrast, for example, night scenes with street lights as this is one of my typical shooting environments. I noticed something in the shots made with this lens that I never noticed in the kit lens. Ghosting and flare. If it is present in the non-VR version, it is not present in an objectionable amount. People may argue that I expect too much from such a low budget lens, but the non-VR lens doesn't exhibit this. I noticed in the product description that there are no ED elements in this lens compared to the non-VR version. This may partially explain this. I returned the lens and now await the new 16-85mm VRII lens that was just announced as I see the value of VR in this range for the type of shooting that I do. However, if you don't shoot in the above mentioned environment, you will have no issues with this lens and will do fine with it as it is priced quite well. For me, the ghosting and flare was a deal breaker and I don't feel like spending time in Photoshop to fix it.

Great Lens

2009. február 26.

This is a great lens, and a good upgrade over the older 18-55mm ii with NO VR. The image stabilization really helps you here, i used to get blurry pictures in the evenings and dark environments. This one solves those problems. There is one fundamental problem with this lens. It lacks ED and that means severe lens flare and ghosting. Only way to solve this is to avoid taking pics in the direction of the sun or bright lights. A lens hood may also help. However during night times you may not be able to do anything about street lights as you are probably taking a direct photo of them. For that The 55-200mm VR does have two sets of ED which dramatically reduces flare and ghosting making it probably the best telephoto lens for Nikon. Couple this with the 55-200mm VR and 90% of your photography needs are covered. If you really care about lens flare then you should probably stick with the NON-VR 18-55mm as it is a better lens during day time with ED. Stock NON-VR 18-55mm is proven to be also sharper. Your choice but overall its a fantastic lens. I have this with the 55-200mm VR and i probably wont ever need another lens.

Nice little lens

2008. június 02.

I own both the VR and non-VR versions of this lens and use them on a Nikon D40. I have found no issues or instances where the non-VR outperforms the VR. I get all the picture quality I expect and love to use this lens for outdoor landscape shots as well as indoor shots. I fully recommend this lens, and highly recommend purchasing a polarizing filter to use with it for outdoor shooting. The VR is very useful when shooting indoors as it allows me to take crisp, clear pictures down to 1/20 sec shutter speeds while shooting hand-held.

Best walk around glass for D80

2008. április 15.

I love this glass as much as I love my 50mm f/1.8, and that is saying a lot. This one, however, is more versatile because of its zoom and is the best walk around lens for the D80. The VR is useful in low light, it is a nice option to have and the price is right.

Nikkor 18-55mm f3.5-5.6G AF-S DX VR Minta fotók

Nikon D60 + 18-55mm f3.5-5.6G AF-S DX VR

Nikkor 18-55mm f3.5-5.6G AF-S DX VR Kiegészítők

Napellenzők a Nikkor 18-55mm f3.5-5.6G AF-S DX VR objektívre

• HB-33 Lens Hood for Nikon 18-55mm DX Nikkor Lens (Aftermarket) 1,99 USD
• HB-33 Lens Hood for Nikon 18-55mm DX Nikkor Lens (Aftermarket) 4,25 USD

52 mm Szűrők

52 mm Polár szűrők

• Zeikos ZE-CPL52 52mm Multi-Coated Circular Polarizer Filter 0,46 USD
• Zeikos ZE-FLK52 52mm Multi-Coated 3 Piece Filter Kit (UV-CPL-FLD) 3,99 USD
• Digital Concepts 52mm Video Filter Kit with UV Protection, Polarizer, & Fluorescent Daylight Filters and Filter Carrying Case 0,00
• Tiffen 52DETP-STP 52mm Digital Essential Filters Twin Pack: Protective Clear Filter and Circular Polarizer Filter 6,00 USD
• Vivitar Circular Polarizer (CPL) Glass Filter, 52mm 0,00
• B + W Snap-On Lens Cap for Filters, for Lenses with Inside Diameter of 52mm 6,80 USD
• Sakar Filter for Nikon D40,D60 52mm High Resolution 3-piece Filter Set 6,99 USD
• Nikon D40, D60 - 52mm High Resolution 3-piece Filter Set (UV, Fluorescent, Polarizer) - Black 7,38 USD
• Pentax K100D, K100D Super - 52mm High Resolution 3-piece Filter Set (UV, Fluorescent, Polarizer) - Black 7,38 USD
• Nikon Coolpix 5400, 5700, 8700 - 52mm High Resolution 3-piece Filter Set (UV, Fluorescent, Polarizer) - Black 7,38 USD

52 mm UV szűrők

• Sunpak DF-7032-UV 52mm Coated Ultra-Violet Filter 0,00
• NEW 58MM MULTI COATED UV FILTER FOR 58MM LENS SIZE DIGITAL CAMERAS, CANON CAMERA, NIKON CAMERA, SONY CAMERA, PENTAX CAMERA, OLYMPUS CAMERA 0,87 USD
• 52mm UV Filter Lens for Nikon D40 D5000 D40x D60 52 mm 0,95 USD
• 52mm UV Filter Lens for Nikon D40 D5000 D40x D60 52 mm 0,99 USD
• New 52mm Metal Ring UV / Protection Photographic Lens Filter 0,99 USD
• Zeikos ZE-UV52 52mm Multi-Coated UV Filter 0,99 USD
• 52MM UV Filter 52 mm MCUV MC Multi Coated Ultra-Violet 0,99 USD
• 52mm Uv Filter 0,99 USD
• 52MM UV Filter 52 mm MCUV MC Multi Coated Ultra-Violet 0,99 USD
• New 52mm Metal Ring UV / Protection Photographic Lens Filter 0,99 USD

52 mm Skylight szűrők

• Sunpak CF-7006-SK 52mm Skylight Filter 0,00
• Tiffen 52mm SKY 1-A Filter 0,00
• HOYA 52mm Skylight 1B Warming Filter 3,83 USD
• Hoya 52mm Skylight Warming Filter made of High Quality Optical Glass 6,99 USD
• Quantaray - 52mm Skylight 1A Multi-Coated Filter
• Hoya HMC Skylight 1B Ultra Thin - Filter - skylight - 52 mm 19,35 USD
• PROMASTER 52MM SKYLIGHT 1A FILTER 8,95 USD
• Promaster 52mm Multicoated Skylight 1A Filter
• Quantaray - 52mm Skylight 1A Filter
• Vivitar High Grade 52mm UV (Skylight 1A) Filter, Vivitar High Grade 52mm Circular Polarizing Filter, & Digi Microfiber Cleaning Cloth + Pro Lens Cleaning Pen (Alternative For Tiffen Part# 52PTP). 17,49 USD

52 mm Objektívsapkák

• 52mm Lens Cap for Nikon 55-200mm 200-400mm D3000 D5000 0,01 USD
• 52mm Black Plastic Lens Cap for Canon EF 50mm f/1.8 II EF, 35mm f/2 0,01 USD
• 52mm Plastic Snap-On Camera Lens Cap - Black 0,01 USD
• 52mm Lens Cap for Nikon 18-55mm D40 D40X D60 D70 D80 0,01 USD
• 52mm Snap-On Lens Cap for Nikon AF-S VR Zoom-Nikkor 200-400mm f/4G IF-ED & All Cameras w/ 52mm Threads 0,01 USD
• ~52mm Lens Cap~ For ANY Lens with a Diameter of 52MM! 0,01 USD
• 52mm Snap On Front Lens Cap 0,33 USD
• Mennon White balance lens cap 52mm 0,45 USD
• 52mm, 58mm, 67mm, 72mm, 77mm Snap-On Black Plastic Lens Caps for All Brands of Camera Lenses 0,49 USD
• 52mm, 58mm, 67mm, 72mm, 77mm Snap-On Black Plastic Lens Caps for All Brands of Camera Lenses 0,49 USD