APS-C大小的影像可產生APS-C大小影像的鏡頭只屬數碼屬性,它們不可使用於比APS-C 格式更大的影像接收器,也不適用於菲林相機。 超聲波自動對焦一般來說,超聲波對焦鏡頭比傳統對焦鏡頭靜和快。 使用了一個或更多的低散光度鏡頭元素低散光度鏡頭元素能減低彩色的色差。 嵌裝的影像穩定器影像穩定器能減低手震時產生的模糊影像,特別在長焦距或陰暗情況下。根據倒數的定律,影像穩定化比無影像穩定鏡頭能有1到3個光圈優點。 內置對焦內置對焦鏡頭不會因設定焦點而改變其大小。 固定前鏡頭固定前鏡頭在變焦及/或對焦時不會轉動,故可容許攝影師用花瓣狀遮光罩,固定前鏡頭能更容易利用極化濾鏡。 無插入濾鏡支援插入濾鏡使用於那些前鏡頭過大或視野不容許於鏡頭前傳統濾鏡的鏡頭。通常遠攝及超廣角鏡頭支援這類濾鏡。 |
|
| 可用的接環 | Nikon F |
| 應用 | 人像, 風景, 野外 |
| 類目 | 遠攝變焦 |
| 倍增器 | 1.5× |
| 穩定器 | 是 (3光圈值優點) |
| 焦距 | 55 - 200 mm (3.6× 變焦) |
| 鏡片組 | 11 群組含有15 元素 |
| 視角 |
35毫米: 不適用 數碼: 28.8-8° |
| 葉片數目 | 不適用 |
| 最大光圈 | 廣角: f/4 遠攝: f/5.6 |
| 最小光圈 | 廣角: f/22 遠攝: f/32 |
| 最短焦距 | 110 cm |
| 放大 | 不適用 |
| 濾鏡大小 | 52 mm |
| 大小 | ∅ 73 × 99.5 mm |
| 重量 | 335 g |
| 記錄 |
|
| 自動對焦速度 | 不適用 |
| 自動對焦聲音 | |
| 內置對焦 | 是 |
| 內置變焦 | 不適用 |
| 固定前鏡頭 | 是 |
| 接駁類型 | 不適用 |
| 天氣密封 | 不適用 |
| 插入濾鏡 | 否 |
| 超聲波自動對焦 | 是 |
| APS-C大小的圈 | 是 |
| 低散光度鏡頭元素 | 是 |
| 硬機殼 | 不適用 |
| 軟機殼 | 包含 |
| 遮光罩 | HB 37 (包含) |
| 三腳架接合器 | 不適用 |
1 October 2007
If you looking for something relatively inexpensive and fun to carry around, this is the lens for you. Quality is good in good light, most of the time, and can be exceptional sometimes. The plasticy feel doesn't bother me because I avoid carrying around a hunk of metal.
The VR works like a charm in good light.
However, I've noticed softness (at all apertures) often enough where I would not use this lens for any professional work. For example, the Nikkor 180 f/2.8 blows this lens away in quality of manufacture and resulting photos.
I've also noticed softness and noise in almost all of my night photos using this lens, even with a very heavy tripod and no wind.
The focusing system on the lens also is slow as molasses. I tried to capture the Blue Angels flying low over the homes in my neighborhood (an awesome annual occurence), and each shot was blown as the lens hunted for focus. Plenty of good light for high shutter speeds (midday, 1/2500s at f/4), but by the time the lens was focused, the subject had moved so far the photo was blown.
If you want to have fun and need a good lens, buy this one. If you are a professional or OBAM (obessessed amateur), save for the higher quality lenses because you'll be disappointed.
I wish more people would objectively weigh the positives and the negatives in their reviews so that those considering buying this lens can make an informed decision. While this is a very good lens on a tight budget, this is not a great lens directly compared against other similar (and more expensive) lenses.
13 April 2007
This lens is sharp even at wide apertures, the VR (image stabilization) works great, autofocus speed is more than acceptable, and it it is very light and compact. The fact that it costs $250 and has effective VR is pretty amazing - no other company offers a lens with this feature for anywhere near this price.
As for image quality, search the various internet photo sites, such as dpreview and nikonians for sample photos taken with this lens by real users. The results are impressive! My copy produces similar results. The previous reviewer must have a bad sample.
Of course, the lens is slow (like almost all consumer zoom lenses), in that its widest aperture is smaller than a professional zoom or prime lens, so it's not a good choice for action photography in lower light conditions (like indoor sports without flash or outside sports at dusk). But a fast telephoto zoom will cost at least three times as much and weigh a ton.
I give the lens 5 stars based on a combination of image quality, value, and compactness/lightness.
13 April 2007
I've read both good and bad about this lens. But I wanted the features such as VR and decided to go ahead and get it. It arrived yesterday and I am very happy to tell you that its well worth the price and more. Its sharp from edge to edge and fast to focus. I have two other VR lenses, both I'm extremely happy with and this one falls in with them. I'm using this lens on a D80 and I've tried it several different conditions including overcast sky, moderate sunlight and indoor lighting and its given excellent results every time.
7 August 2007
My Nikon ownership goes back over 30 years to the days when cameras were made of metal and carrying one with a few lenses tested your stamina.
Times sure have changed. There's hardly a metal camera to be found and you can carry a bag full of equipment in one hand. The Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR Zoom Nikkor is the latest lightweight from this heavyweight of the camera industry.
Plastic construction right down to its lens mount. This thing looks and feels like the label should say Fisher Price and not Nikon. However, looks can be deceiving as I soon found out.
My only reason for buying this lens was that I needed to fill a void in my kit until I saved up enough for a 70-200mm f2.8. I had no intention of keeping the 55-200 VR once the 70-200 arrived.
After shooting with the 55-200 for a few months I've come to appreciate what it can do. It's limited to use in good light as even VR can't change the laws of physics. In this case, it's not even the current VR-II but the original VR that Nikon developed a few years ago.
With sufficient light and good technique, the 55-200 is capable of very good performance. No, it's not as sharp and contrasty as the 70-200. It's also not going to survive the bad weather or a few solid knocks that professional use would expose it to.
Where the 55-200 excels is in its portability and above average performance. For travel or just walking around, it would be hard to beat this lens if it's used within its limits. I use mine on a D80 and have no problem getting excellent 13x19" prints.
As an added bonus, it works very well with the Nikon CL3T closeup lens and does double duty as a macro zoom. Again, it's not a substitute for a real macro zoom like the Nikon 70-180, but it's not intended to be.
Given my original opinion of this lens, I have to admit that I've gotten much more than my money's worth out of it. Instead of selling it, I'm going to keep it and use it when my 70-200 is just to big and heavy to carry around.
If you're on a budget or just want a nice, lightweight lens in this range, take a look at the Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR. Like me, you may be very much surprised at what it can do.
20 June 2007
I was at first disappointed in my new Nikon 55-200mm f/4-5.6G DX VR lens. Then I found the VR on/off switch on the side. Since then I have been pleased with the lens' VR capability (what I bought it for).
My previous digital camera was a Canon PowerShot S1 IS. Without being aware of it, I became used to that little camera's image stabilization. I casually took handheld shots that came out tack sharp. I didn't realize how dependent I was on the image stabilization until a few months ago when I got my Nikon D80. I love the camera but was driven to using a tripod for most of my shots. I was taking close-up photos for publication and had to have perfect sharpness. And, I have two kittens; kittens beg impromptu, handheld shots. I was excited when I found this lens because of the low cost.
You really can take photographs three stops slower than is possible without a VR lens. That means more depth of field for close-up shots (used with a filter-like close-up lens). I'm taking my first manual mode outdoor photos so the extra speed range helps me out of tight spots.
The rest of the lens (construction, zoom range, weight) are just fine. One unexpected advantage is the lens' 52mm filter size. Most of my lens accessories (close up lens set, teleconverter, extension tube set) are 52mm.